While the clips at 3:00 look great, pulling the audio into post and adding some space and environment could really bring the scene to life (not sure why so many content creators overlook this).
From my experience working on films, set audio is usually full of background noise, while ADR often ends up like that ElevenLabs sample, super dry, like a close-mic recording that sounds as if someone is talking between two pillows.
Blending it naturally into the scene with proper placement and environmental sound really completes the illusion.
00:00 - Intro
00:32 - Hedra's Crazy New Update
06:15 - Luma's Key Frames
08:41 - Prime Video Using AI Dubbing
09:25 - Veo2 Image to Video at Fal.ai
10:54 - CopyRight Cleared AI Video Generator (and it's good)
13:43 - Critterz Feature Film is coming!
14:56 - New AI Image Generator
16:01 - NVIDIA's Camera Control White Paper
17:35 - New AI Advertising Game Changing Tool
18:42 - MoveAI Gen 2 Multi-Camera Motion Capture
20:22 - Major Project Breakdowns
20:31 - AI VFX Workflow from Albert Bozesan
21:06 - Paul Trillos Workflow Breakdown
22:05 - The T2 team is back with AI Wonderland
22:47 - New AI Film Studio
23:32 - AI Animation Competition is Still Open!
24:07 - Second AI Filmmaking Party at NAB
24:49 - AI Film Events Coming Up
25:50 - AI Films of the Week
25:52 - Recursion by James D Phillips
26:07 - Original Source “Nature Hits Different” by Rufus Blackwell
26:40 - KIDD-0 by Henry Daubrez
27:11 - AI Generated Church Service?
28:00 - KIDD-0 by Henry Daubrez